allsorts

Sunday, August 19, 2007

Yes I’ll come along pianissimo, officer.

Filed under: Life, Uncategorized, Writing — dcoe @ 12:51 am and

OK I have to come clean. I now have a police record. Well, my name’s in a policeman’s notebook anyway.

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The guys had been practising in our front room this week for a gig they were doing tonight here in Peebles (they’re called V&A - funny in itself because they didn’t even know it’s the name of a museum in London haha) When you see them at Wembley, you’ll know where you heard about them first. That’s my 17-year old son, and 4 other people’s sons. 2 guitars, bass, drums and a “singer”. No it’s not my style of music. In fact I wouldn’t even call some of it music, but they are serious about it, and they put a lot of effort into producing a reasonable sound together, with some quite good original stuff as well as the usual covers.

Anyhow, at about 1.30 this afternoon, yes that’s 1.30 on a Saturday afternoon, a policeman appeared at the door saying that a neighbour had complained about the noise, and they had already responded to this same neighbour when he complained last Tuesday afternoon, a fact which my son had “forgotten” to tell me about!

Now, we live in a big detached Victorian house with pretty thick walls, but the guys had been playing with the windows open on the Tuesday and when they’d said they would shut the windows and stop after an hour, the police were apparently quite happy.

Today, the neighbour was wanting an ASBO to be considered! The nice apologetic policeman said to us that wasn’t really what ASBOs were intended to deal with, however, he wrote down my name in his book and I even had to agree to go to mediation, should it be necessary!

Our guys then went round all the houses in the street explaining that their gig was tonight, they appreciated it wasn’t to everyone’s taste but that they would be stopping at 4pm. The reactions they got varied from “Kids, kids, come and see…it’s the band!” to “What’s the problem? I like your music” to “Don’t worry guys, my son was a drummer and it doesn’t bother me at all” (our 85-year-old, admittedly deaf, next door neighbour). There was only one house where they got a talking to – guess where the complaint came from? “I can hear those drums in my basement” Well yes, and the cars going past in the street, and your own dogs barking, but presumably you’re not requesting ASBOs against them.

Now why couldn’t they have come across the road and spoken to us? What sort of community spirit is that? In my view (and that of our very musical neighbour on the other side) it’s the complaining neighbours who ought to be served with an ASBO! When you think of the stuff these young guys could be up to, and aren’t, and how responsibly they reacted to the complaint….one of them, yes the one with dreadlocks, came and apologised to me for the police having come to the door…

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Looking on the bright side, the acquisition of an ASBO might even be a career advantage. The rest of my family are already asking for autographs.

Tuesday, April 24, 2007

Don’t play what’s there - play what’s not there - Miles Davis

Filed under: Education, Uncategorized, Writing — dcoe @ 12:38 am and

collin-mezin

I spent the most fulfilling days in a long time at the end of the school holidays. I was at a weekend run by SAMA for String Quartet players. I don’t have a lot of experience in this area, but I had been asked by friends to to join their established quartet, who were without a second violinist for the weekend. My good fortune!

 

We gave close attention to String Quartet No. 17 in B flat major (The Hunt), K. 458 by Mozart and over the three days played other quartets by Haydn, Mozart, Mendlessohn and Dvorak. We were also joined by another viola player for a go at a String Quintet.

 

I am not generally confident in the technical quality of my contribution to any group, though I selfishly enjoy both the taking part and the music. However, with the encouragement of the other players in the group, over the weekend I moved to a different level of experience, where my perception of my contribution was altered: no longer the quiet supporter of the main business but rather a crucial strand in an interwoven tapestry. I learned that in quartet playing, everyone is a soloist with equal importance. In my initial eagerness not to be noticed, I was not providing the balance that was needed for all the others. Once I saw my contribution in terms of allowing others the opportunity to make theirs, I was able to think much more about the music - the purpose of being there in reality. The result was extremely satisfying intellectually, emotionally and personally.

The Edinburgh Quartet were the tutors at the weekend, and we spent a fascinating session with each of the four musicians. Although I had been worried about this aspect of the weekend, I was encouraged by the others in my quartet, and then pleasantly surprised by the sensitivity, kindness and usefulness of all of the EQ players.

I knew I would learn a great deal at the weekend, but it surpassed all my expectations, thanks mainly to the encouraging comments of the others in my quartet. Their company was extremely pleasurable, and the making of music in this way was time very well-spent. Over a week later, I still have some of the thrills in my ear and a smile whenever I think of it. I owe a great debt to my playing partners, Tony, Chris and Aileen. Thanks guys!

collin-mezin scroll

Sunday, January 21, 2007

Not so fast, Tempus

Filed under: Writing — dcoe @ 1:50 am and

Not so fast, Tempus…

By day, the sun’s rays draw them up.

They grow before my eyes.

I kiss each one asleep

and know,

though adulthood gains ground with every day,

at night, kind childhood steals some back.

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